Published: Li Yin Arts Co. Ltd., Ancient
Chinese Sculptures, April 1998, Exhibition Catalogue, p. 24

While this figure may be compared to the small Northern Wei Longmen image (no.5) in this catalogue in its classic pose, the spiritual, rather than joyful mood, is representative of the Northern Qi period, as are the robes in Gupta style, with the “wet drapery” effect around the folded legs, which are of particular note. Another noteworthy feature is the robe on the torso which retains traces of the Northern Wei style. This very rare, near complete figure is also unusual at this time, when standing figures occur much more frequently. The iron hook to which the nimbus would have been attached, is intact at the back of the head. Compare with two standing figures with closely related facial treatment, Buddhist Sculpture, Hong Kong, 2001, exhibition catalogue, no. 20 and 37 with prominent lips and deep-set, elongated eyes.

The identification of this figure as Amitabha Buddha is indicated by the small figure in front of the base of the throne, holding up a lotus bud.